Slide visual craft
What separates a 5/5-visual-craft deck from a 3/5 one.
The five dimensions of visual craft
| Dimension | 5/5 behaviour | 3/5 behaviour |
|---|---|---|
| Typography | Single serif display + single sans body. Rigid hierarchy. | Many type sizes, mixed faces, inconsistent weights. |
| Layout density | Generous whitespace; one argument per slide. | Three charts + four bullets fighting for attention. |
| Colour discipline | Greyscale + one accent. Target coloured distinctly. | Every peer a different colour, rainbow legends. |
| Data viz | Axis labels vertical, minimal gridlines, annotated with a text callout. | Default Excel chart, unlabelled, 12 gridlines. |
| Narrative anchors | Slide title = the takeaway sentence. | Slide title = the chart name ("Revenue by Segment"). |
Typography
Top-tier decks almost all use:
- Display face: a serif for slide titles and big statements (Instrument Serif, Source Serif, Tiempos, GT Sectra). Serif communicates editorial gravity.
- Body face: a humanist sans for bullets, labels, footnotes (Inter, Söhne, Aktiv Grotesk, Proxima Nova).
- Monospaced for numbers: when the slide has numeric data (KPIs, $ amounts, percentages), monospace renders them in vertically aligned tabular form. Free options: IBM Plex Mono, JetBrains Mono.
Rigid hierarchy — use five type sizes max:
Title 44–60pt serif line-height tight
Subtitle 24–28pt serif or sans line-height 1.2
Body 14–18pt sans line-height 1.4
Annotation 11–13pt sans line-height 1.3
Footnote 9–10pt sans line-height 1.2
Layout density
The single biggest visual error in sub-tier decks: trying to say three things per slide. Top-tier decks say one thing per slide. If you need to say three things, make it three slides.
The exception: the three-reasons executive summary, which is purposefully dense because the reader is meant to absorb it as a unit.
Density scale:
- Sparse — 1 headline, 1 chart, ≤2 annotations. Canadian Pacific 2012 uses this ruthlessly. The slide has room to breathe.
- Balanced — 1 headline, 1–2 charts, 4–6 bullets. Typical for conference decks (ADP 2017, Valeant 2015 at Sohn).
- Dense — 3+ charts, 10+ bullets, multiple annotations. Common in short-seller reports where the document is also the evidence ledger (Muddy Waters).
- Overcrowded — everything + decorative flourishes. 3/5-visual.
Colour discipline
A deck should have:
- One neutral (white / off-white background, or deep charcoal for dark mode; typically white — decks are printed and projected more than read on dark screens).
- One text colour (near-black on light, near-white on dark).
- One accent (the fund's brand colour, used sparingly). Anthropic-style warm orange. Pershing Square's red-orange. Elliott's deep navy.
- Two support colours: one for "the villain" (target in a peer-gap chart — usually warning orange/red), one for "the peer median or hero" (neutral slate / muted green).
Rainbow legends in a 5-peer bar chart are an instant tell of weak craft.
Chart anatomy (the peer-gap is the canonical)
A great peer-gap chart, layer by layer:
- Title slot (top, 36–44pt serif): "CP has the worst operating ratio of any Class I railroad."
- Subtitle (below, 16pt sans, lower-contrast): "2011 full-year, lower is better."
- Chart area (centre-left):
- 5–7 horizontal bars (easier to label than vertical)
- Target's bar in accent warning colour (salmon, not scarlet)
- Peers in neutral mid-grey
- Category median marked with a dotted vertical line
- Data labels on each bar, right-aligned, monospace
- Annotation callout (centre-right): one sentence tying the chart to the thesis. "To match CN's 63%, CP must improve by 18 percentage points."
- Source line (bottom, 9pt, 50% opacity): "Source: company 10-Ks, fiscal 2011."
Narrative anchors — the "title IS the takeaway" rule
The single highest-leverage habit visible in top-tier decks: every slide title is the conclusion of the slide, not its subject.
Bad:
"Revenue by Segment"
Good:
"Segment X generates 85% of profits on 20% of revenue."
The reader should be able to read only the slide titles in order and still follow the full argument. If they can't, the narrative is in the wrong place.
Specific techniques worth stealing
The "big number" slide
Single figure in 200pt serif, centered, with one line of context below.
- "$46,000,000,000" / "Estimated real-estate value, 94% of enterprise value"
- "-18%" / "Canadian Pacific total shareholder return under Fred Green"
- "$0" / "Our estimate of Herbalife's intrinsic equity value"
Appears once or twice per great deck. Never more — overuse neutralises it.
The annotated timeline
Horizontal line with dated annotations of management promises vs outcomes. Ackman's Herbalife deck, Muddy Waters' Luckin Coffee, Hindenburg's Adani all use this.
The two-column comparison
Left: "Management says / Current reality". Right: "Our thesis / Proposed future". One row per claim. Use for before/after framing.
The quote slide
Verbatim CEO quote in large italic serif. Source and date as annotation. Used to set up the CEO-quote contradiction that follows two slides later.
The ask slide
The closing slide. Black background (unusual — signals finale). One sentence in white serif. Below: a single CTA.
Anti-patterns
- Stock photography on the cover — immediate credibility hit
- Pie charts — rarely justified; almost always better as a stacked bar or a labelled column
- 3-D charts — never
- Pictograms that substitute for numbers (the 🚂 next to CP's bar) — looks like a consumer slide; investor decks are numeric
- Watermarks that obscure content — top-tier decks never watermark across data
- All-caps body text — unreadable at scale; reserve for short tags
The one test
Before finalising a slide, ask:
"If I closed this deck right now and showed one slide to someone who had never seen it, would they understand my argument from this slide alone?"
The three-reasons slide, the peer-gap chart, and the sum-of-parts build-up should all pass this test individually. Most slides don't need to — but the five or six "anchor" slides must.
Exemplars of 5/5 visual craft
- Pershing Square · Canadian Pacific (Feb 2012) — the gold standard. Every slide fits the "one idea, one visual, one takeaway" rule.
- Pershing Square · ADP (Aug 2017) — 170 pages of pristine typography.
- Pershing Square · General Growth Properties (May 2010) — pre-REIT SoP masterclass with exemplary chart craft.
- Trian · "Restore the Magic" Disney (Mar 2024) — 133-page editorial layout; uses pull-quotes and sidebars elegantly.
- Starboard · ADSK (Aug 2024) — modern, restrained, tightly-edited.
- Elliott · Arconic (Apr 2017) — early canonical 5/5 visual.