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  "notes": "This slide discusses narrative theory, specifically the importance of character agency in plot resolution.",
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      "text": "The most infamous example of this happens when the clumsy coincidence comes during the conclusion of the story, a problem so egregious yet so common it has its own term of art: Deus Ex Machina.",
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      "text": "In essence, what this rule is trying to say is that your protagonists' motivations, choices and actions should always be what gets them into and out of trouble, and any coincidences involved need to be motivated by those decisions.",
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      "text": "Many otherwise interesting stories have been completely ruined by Deus Ex Machina conclusions in which the main character is removed from the central action of the climax by outside actors solving everything for them.",
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      "text": "When the coincidence actually resolves the entire story, a nod towards character action motivating it just isn't good enough. Drama is dramatic because protagonists save the day when God can't get the job done (or die trying, in a tragedy), not the other way around.",
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      "text": "A particularly infamous and frustrating example of this is the computer entity actually named Deus Ex Machina in \"The Matrix Revolutions\": a literal God in the literal machine swoops in and solves all of Neo's problems for him.",
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      "text": "Like with coincidences to get a character into trouble, the ones to get them out are most egregious if they're too obvious, too frequent, or poorly timed and staged such that they undermine character moments.",
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      "text": "The term translates to \"God In The Machine\" and basically means \"some invisible external actor (ultimately, the writer) solves all the protagonist's problems for them\".",
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