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  "documentTitle": "Pixar 22 Rules Analyzed",
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  "notes": "This appears to be a page from a creative writing guide or lecture notes on character development.",
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      "text": "For example, if your character is a soldier scouting enemy territory and you're a dog lover, your soldier character will still snap the neck of the guard dog that threatens to give away his presence. If you put yourself in that situation, you might waste time trying to sneak around the dog or knock it unconscious - but that's not the right approach for a professional soldier character.",
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      "text": "In creating a character you're creating a carefully crafted personality construct, a model of a nonexistent person. It's more profitable to imagine the ways your character would respond to a situation that are different from your own responses along the same axes of personality that their core character is different from yours - even if it doesn't seem empathetic.",
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      "text": "You actually have to imagine how your character would feel based on the core personality traits and goals you've given that character, not just try to find actions for them you find empathetic (unless, of course, that particular character is one you empathize with).",
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      "text": "Ultimately what this rule is about is driving the story forward through character reactions to situations which result in emotionally consistent characters, not giving them responses that are merely convenient actions to take for you to make each individual scene \"work\" (mechanically).",
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      "text": "If your characters' actions lack emotional honesty the audience will stop caring about them, at which point they also stop caring about your plot no matter how \"clever\" it may be.",
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