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  "documentTitle": "Pixar 22 Rules Analyzed",
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  "notes": "This slide outlines a narrative arc structure focused on character growth and the temptation to revert to old habits.",
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      "text": "You want to start by throwing your character into exactly what they're good at, to show the audience how good she is at it. The liar character needs to be a great liar who gets (the wrong kind of) rewards for it.",
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      "text": "That deceitful character, for instance, may be put in a situation where she should lie, even though she's already seen how much damage her deceitful ways have caused her. How she responds to that is, at the right point in the story, even more interesting than how she responded to a situation where not lying at all was the proper response.",
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      "text": "Then you put her in the situation where she needs to not fall back into that comfort zone in order to succeed, and that is the dramatic situation that will force her to change.",
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      "text": "To summarize: what you want is a build from showing the comfort zone, to challenging it with situations where the opposite response is necessary, to further challenging the character with situations where the old response is better. The dramatic conclusion of the arc is how the character faces that challenge without reverting to her old self.",
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      "text": "But later in the story, as she is changing and embracing that change, you may throw her into a situation where her old ways would be an obvious positive solution to the situation in order to show how moving outside her comfort zone is challenging her.",
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      "text": "Presenting the already-arcing character with a situation where the most expeditious and effective solution to their situation would be to fall back on their old ways, after you've already given her compelling reasons to disavow that behavior, is great drama.",
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      "text": "The audience will want to see if your character maintains her emerging new self in light of a situation where falling-back into her emotional comfort zone would be practical and useful, but has already been shown to be a morally, emotionally or philosophically terrible idea.",
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      "text": "The conflict in such a scene is between going back to her old ways, finding a way to use that aspect of herself as a tool without getting sucked back into negative aspects her old ways, or how can find an equally successful strategy that doesn't resort to her old ways at all.",
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