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  "notes": "This slide is part of a series of 'Rules' for storytelling, focusing on character development and conflict.",
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      "text": "There's a problem with the phrasing of this otherwise excellent advice that can lead storytellers into a common trap. The sound advice in this statement is \"take your characters outside their comfort zones\", \"challenge your characters and see how they respond\", and (implied) \"the evolution of how your character responds to challenges is their arc\". But \"throw the polar opposite at them\", if taken literally, leads to merely sticking your character in a contrarian world. That's flat: there's no build and no nuance. And it denies your audience the opportunity to see the character being good at what they're good at. Since falling back on mechanical, merely contrarian conflict is indeed a trap storytellers too often fall into when grasping for conflict, it makes the phrasing gaffe all the more unfortunate. For example, if your character is good at playing the violin, the polar opposite is \"not playing the violin\". But that is only an interesting challenge for so many beats. It's also important to keep in mind that this concept is most interesting and useful when it's applied to emotional strengths and weaknesses, rather than skill-based ones. Forcing a character not to use a skill is mechanical, and will only get you so far. It's a useful kind of conflict to have, but not the central one. Forcing a character out of their emotional comfort zone and challenging her to change her emotional responses - that's the stuff character arcs are made of. For example, a character that copes with the world through lies and deceit being forced into a situation where she must tell the truth is an interesting conflict, one that leads to a clear character arc (either to greater truthfulness, or self-destruction if it's a tragedy).",
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      "text": "What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?",
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      "text": "Rule 6.",
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