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  "documentTitle": "Pixar 22 Rules Analyzed",
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  "notes": "This appears to be a slide from a presentation on creative writing or storytelling principles, specifically focusing on the 'rule of simplification'.",
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      "text": "If a scene or character is not providing new information about or an interesting perspective on something relevant to the theme, plot, or character arc of your story, cut it.",
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      "text": "Thus, to make rule five more useful I'll add a criteria for what scenes and characters to cut:",
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      "text": "It is self-defeating and time wasting to attempt simplification until you are very clear on what your theme, arc, conclusion, tone and pacing actually are. A bloated first draft is nothing to be ashamed of if that's what you need in order to find those elements and be in the position to sensibly simplify your story. Once you know, trim it down in rewriting.",
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      "text": "Your challenge as a writer is to make everything in the story somehow relevant to those story elements, even if subtly so. The best scenes and characters fit the established tone and are relevant to theme, plot and arc simultaneously.",
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      "text": "What too often leads to trouble here is your own confusion about some essential element of your own story, such as the theme or the tone. You can't hop over detours unless you actually know where you're going, and trying to do so can lead you to cut necessary elements when you think you're being efficient.",
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      "text": "Even baroque styles benefit from simplification, because all that florid writing is still wasted if what it's saying is irrelevant to the purpose of the story.",
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