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      "text": "Belaboring how each scene reflects theme and trying to perfect it is wasting time, especially in the first draft when you've not yet written through the piece at least once and thereby given yourself a firmer idea of what your story is actually all about. Once you've written at least one draft you can start to \"perfect\" all those beats, through-lines, and setup/payoff moments in rewrites.",
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      "text": "That's why people say all those things like: \"writers write\" and \"all writing is rewriting\" and \"stories are never finished, they're just abandoned\" and \"holy @#%! writing is difficult - I thought you just typed-in every idea you have as you have them and then people love you and throw money at you\".",
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      "text": "Those prescriptive methodologies can be great if you find one that actually works the same way your own mind works, but even so formal exercises about finding your theme (or character, beats, or anything else) will only ever take you so far.",
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      "text": "because there's no need to be constantly \"figuring it out\" at every turn. So when this sort of inspiration strikes, stop and take the time to rework your ending, and the map to get there, before continuing. You can always go back to the old map if needed.",
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      "text": "After all the end product is the actual writing, not any of the notes, outlines or worksheets produced along the way.",
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      "text": "Even after you've done all that, you are likely to reach the (potentially shifting) ending only to discover that in getting there you've got a whole new or clearer idea of what the story is actually about, and therefore about how everything you just wrote should change.",
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      "text": "So, ultimately, what this advice is trying to tell us is don't get bogged down in theoretical analysis of theme in lieu of actually writing the story.",
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      "text": "Ultimately, storytelling is about feeling, and even once you find your theme and refine your story structure you still need to make your audience feel it.",
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      "text": "This is an especially damning temptation for screenwriters because screenplays are very structured and formal, and there is a glut of gurus out there who peddle very mechanical, theory-based approaches to storytelling.",
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