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  "notes": "The text discusses the importance of showrunners learning to collaborate and visualize story development, contrasting it with the architectural process of building from blueprints.",
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      "text": "Architects can see buildings off blueprints. That's their job. Yours is to see the gross anatomy of the stories the writers pitch you off the shorthand of the board, and to let them run with the details. The next step is to visualize even further down the line as the writers refine the muscular, circulatory, and nervous systems in the slightly more detailed treatment of the story, plot, and scenes in an outline, and - if you don't like the shape of the surface once the script come in - for you to give notes and rewrite if necessary.",
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      "text": "Not all writers have this ability, but it is something that can and should be learned - and which is crucial to making television - because the physical production of the scripts depends on the departments having consistent, and accurate communication from the writers office as to what is coming down the pike.",
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      "text": "If, as a showrunner, you repeatedly have to return stories to the board after they have been outlined or scripted - or find yourself sending your writers off to script and outline in frustration, only to then rewrite from page one, you need to consider doing some work on your own ability to create and discern story from the foundations up.",
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      "text": "One of things increasingly lost as showrunners are no longer asked to work their way up the ranks in the television hierarchy is a comfort level with collaboration in the form of the writers room, and a knowledge of story - usually born of coming up with one story after another on other people's shows. It is from this longitudinal experience of collaboration and story generation that most showrunners learn how to visualize.",
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      "text": "When you sold your pilot, you didn't take an eight million dollar film of your script to the network meeting. You talked the executives through your idea for a series, the characters, and your story for the pilot, and they proceeded to entrust you with millions of dollars to fulfill your vision. Considering how much the creation of a TV series depends on a studio and network's ability to visualize a bunch of words coming out of some writer's mouth, it is surprising that many showrunners lack the skill to visualize story when pitched to them by their own staff.",
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      "text": "How, then, if you do not come from a lifetime of conference and teamwork, but find yourself forced into collusion with a writers",
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      "text": "THE FIFTH LAW OF SHOWRUNNING",
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