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      "text": "Television is - quite simply - a business: with winners, losers, seasonal patterns, production schedules, budgets, and deliverables... just like any other business.",
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      "text": "Nowadays, programming outlets are as likely to buy television pilots from more junior writers, as well as playwrights, screenwriters, novelists, investigative journalists, and bloggers whose \"my year of doing this and not that\" article managed to break the Internet as they are from seasoned writer/producers -",
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      "text": "What we do is nothing more - or less - than hard work... hard work that is not exclusive to any one person, but helped along by scores of competent, experienced professionals whose job security is tied to the longevity of the endeavor... hard work that can be done efficiently, thoughtfully, and in a way that doesn't ask anyone involved to sacrifice their personal life, dignity, and - sometimes - personal safety.",
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      "text": "Historically, there never was much of an apprenticeship/mentorship mentality in television. Writers are notoriously taciturn and parochial about their \"creative process.\" However, when there were only three to five broadcast networks and a much longer queue to the top, someone who worked their way up from staff writer (the lowest and least paid position) to show creator/executive producer/showrunner could at least be reliably understood to have at least many years learning how to make the trains run on time under the tutelage of writer/producers who had endured the same trials.",
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      "text": "One of the most jealously guarded secrets of TV is the reality that those who get their pilots made and show picked up on any given year are usually no more gifted, visionary, or prodigious, than the ones who did not. There are as many television writers who work regularly as there are professional NBA players at any given time - by that metric, we are all breathing rarefied air - but the process by which television shows are made and selected is by no means some mystical divination by which the artistry of very special snowflakes is empowered that it may elevate the art form as a whole.",
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      "text": "Why? Because they depend on the show - and the perceived creative and managerial genius of the showrunner - for their living. So, once they have a show on the air, even the worst managers muddle through on something resembling time and budget: usually by the sweat of a lot of talented individuals doing everything humanly possible to keep the ship afloat.",
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