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      "text": "Then there's casting. That's where you can hear actors come in and say your lines in every manner possible. That's right, pretty people come in, say your words back to you, and you get to JUDGE them with impunity!",
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      "text": "So don't be a Time Bandit (or a \"Time Vampire\"). Tell people what you want concisely... and then leave... or better yet, tell one of your writer/producers, let them have the discussion with the different department heads first, and then make course corrections later there's an adequate level of proof of concept.",
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      "text": "All of this brings me to post-production. In the late twentieth century - thanks to advances in computer software and memory, and the development of the non-linear/non-destructive editing workflow - post-production changed from a fairly recondite and artisanal process to becoming the single most seductive time suck for showrunners. A showrunner can now go into the editing suite with a large leather couch and massive high-definition screens with a pipeline to the editing system, and watch an episode, a sequence, a scene - even a single sequence of shots - over and over again, and demand any change that enters his/her mind... and, thanks to the miracle of computerized cut-and-paste and endless levels of \"undo\" and \"redo\" see it all in real time, and continue to demand changes until every combination of every frame that was shot has been considered.",
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      "text": "These are \"the sexy, glamorous jobs.\" You can convince yourself that your direct supervision of these tasks is of the essence... especially if you are stuck on a difficult story knot and the other writers keep telling you the direction you want to go isn't going to untangle it. But you're damaging the show by believing it.",
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      "text": "There's another pernicious aspect to the siren song of the sexy glamorous jobs; the longer you spend with your other departments, the more you rob from them the time they need to actually do their job (the designing and construction of things that will look great before the camera and not just sound great in your conversation)... and, by and large, most of them will be too nice to tell you to go away and let them work.",
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      "text": "samples, and awesome gizmos in various stages of construction. And wait 'til you hit the VFX office, where the boffins will regale you with endless tales of pre-vis and fluid dynamics simulations.",
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