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  "documentTitle": "11 laws of showrunning mean version",
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      "kind": "paragraph",
      "text": "As long as the show comes in on time, on budget, and makes money, who cares?",
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      "text": "Studios and networks are far happier off letting their precious messianic autocrats persist in their belief that they are geniuses on par with Mozart - and that it is only the sheer idiosyncrasy of their \"creative process\" that allows the show to go on - than to take the risk of disrupting the creation of a hit show with such earthly concerns as fomenting a workflow that actually takes into account that the employees are human beings.",
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      "text": "So, once they have a show on the air, even the most inept of managers - or the most sociopathic of abusers - muddle through and keep their show on the air on something resembling time and on budget: usually by the sweat of a lot of talented individuals who are then denied credit for their toil at the altar of the \"visionary auteur\"'s brilliance.",
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      "text": "The dirty little secret of TV, however, is that those who get their pilots made and show picked up on any given year are usually no more gifted, visionary, or prodigious, than the ones who did not. There are as many television writers who work regularly as there are professional NBA players at any given time - and, by that metric, we are all breathing rarefied air - but the process by which television shows are made and selected is by no means some mystical divination by which the special artistry of very special snowflakes is empowered that it may elevate the art form as a whole.",
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      "text": "Beyond that, who cares if the writers are made to sleep in cots in their offices and only go home for showers because the showrunner can't decide what story they want to tell and has them rewriting scenes that shoot the next day while they create story for an episode that is already in prep and starts filming the day after but doesn't have a script yet? Or that the assistants are verbally abused on a daily basis because they can't cover the phones and pick up lunches while performing personal services such as taking the showrunner's medical samples to his doctor and taping his children's recitals? Or that the art director and lead scenic painter are being asked by the showrunner's wife to redecorate his house and they are doing it because they know that to say no means to lose their job?",
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      "text": "Why? Because they depend on the show - and the perceived creative and managerial genius of the showrunner - for their living. That's why.",
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