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      "text": "Of course not.",
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      "text": "There are only two real sins for which a showrunner pays with a pink slip: wasting time and squandering money, and both of these contingencies are amply prepared for in studio plans and budgets. Missing an airdate and going egregiously (and I do mean \"way beyond the pale\" egregiously) over budget are the only two real firing offenses in the TV business... and, in truth, there is an entire army of dedicated professionals who stand beneath the showrunner day in and out to make sure that doesn't happen.",
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      "text": "Most importantly - far more so than such esoteric concerns as \"aesthetics\" and \"artistic accomplishment\" - the sheer volume of revenue generated by CSI simply boggles any ordinary mortal's dreams of avarice.",
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      "text": "With all of this at stake - with success literally meaning the difference between a fifteen-year bull market and a Saharan drought - it is unsurprising that most showrunners are, and are tacitly allowed to remain, some of the most incompetent senior managers in the business world?",
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      "text": "Because a hit (even a middling one... or even just a show that could become profitable by sheer dint of being on the air) has such revenue and image-generating potential, is it shocking that studios and networks will tolerate an almost endless amount of dysfunction - and are more than willing to avert their eyes from How The Sausage Is Made - in the name of getting it on time and on budget, and to preserve whatever sorcery it took to get there?",
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      "text": "Consider CSI: Crime Scene Investigation. For a decade-and-a-half, the CSI franchise anchored CBS's reputation as the go-to destination for solidly-crafted, edgy, visually-innovative, case-of-the-week crime procedurals.",
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