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      "text": "It's like getting ACTUAL work done. Only it's not. Really. It isn't. It only looks that way.",
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      "text": "A showrunner can now go into the editing suite... and watch an episode... and demand any change that enters his/her mind... and continue to demand changes until every combination of every frame that was shot has been considered.",
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      "text": "Honestly, there's a reason I refer to it as a siren's call - if Narcissus were a showrunner, the editing room would be his reflecting pool.",
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      "text": "Though a humongous boon to the art and craft of television, the rise of non-linear/non-destructive post-production has also created an entire class of parasitic troglodytes (usually non-writing producers desperate to justify their meddling ways) who rally under the despicable war cry of \"I'm GREAT in post!\"",
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      "text": "I mean it. Someone invented the AVID and the next thing you know, everyone and their mother is Pablo fuckin' Ferro. It stinks.",
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      "text": "That's not to mean that there aren't producers - writing and non-writing - who are, in fact, GREAT in post. There are, and their contribution is invaluable. They are also a small, and gifted, and rare species. Kind of like unicorns and shootable first drafts.",
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      "text": "You wanna know what the words \"I'm GREAT in post\" in the mouth of most producers are really dog whistle code for? \"I will gladly sit on that leather couch for an eternity and hound your helpless editor into an assisted suicide.\"",
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      "text": "(Not to mention that with all that raw computing power, you can spend days choosing just the right temp soundtrack... and basically creating something amazingly polished that almost looks like a real TV show...)",
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