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      "text": "In the late twentieth century - thanks to advances in computer software and memory, and the development of the non-linear/non-destructive editing workflow - post-production changed from a fairly recondite process to becoming the single most seductive time suck for showrunners seeking refuge from their actual job.",
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      "text": "Back then, an episode would have to be edited, then screened in a theater for the showrunner and producers, who would give their notes either verbally or via memos, and then the film would be sent back to the hobbits, who would meticulously (no, seriously, they had to wear gloves) pull the strips of film apart from the sticky tape, re-cut the film by hand to make the necessary adjustments, splice the entire kit and kaboodle back together with more sticky tape, and then screen it again for everyone's approval.",
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      "text": "Remember, they know damn well you can fire anyone who displeases you - and they are petrified that you will throw a hand grenade into the work they have already completed - so they will indulge your conversational needs and make you feel like you're a wit on par with Oscar Wilde, and the Second Coming of Joss Whedon. That's part of the siren song of the sexy glamorous jobs.",
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      "text": "As anyone who has ever used iMovie can tell you, picture editing is now like having a word processor for a movie - a movie that you wrote (or rewrote and thus rescued from mediocrity)!",
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      "text": "There was a time when post-production was the most ignored and insular department in TV production. The mechanics by which episodes were edited and finished were analog, artisanal, and very painstaking and time-consuming in a way wholly incompatible with the fast pace of television production: literally requiring the splicing of bits of film with sticky tape by hobbits working in moist, mossy caves.",
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      "text": "All of this brings me to post-production.",
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      "text": "Or better yet, tell one of your writer/producers what you want, let them have the discussion with the different department heads first, and then make course corrections later when there's an adequate level of proof of concept.",
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      "text": "So don't be a Time Bandit (or a \"Time Vampire,\" both terms used by staffers I have known to describe malingering showrunners seeking refuge from the the writers room). Tell people what you want concisely and efficiently... and then leave...",
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