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      "text": "To the extent that CEOs, lawyers, hospital executives, and others assume that they must coordinate their activities by using large language models like the ones behind OpenAI's ChatGPT, they will essentially be handing over information and power to a technology firm to decide on critical future developments in their industries.",
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      "text": "But is this a story of progress, or one of domination? Interaction between machines and crowds is coordinated by platforms, as MIT economists Erik Brynjolffson and Andrew McAfee have observed. Altman leads one of the most hyped ones. To the extent that CEOs, lawyers, hospital executives, and others assume that they must coordinate their activities by using large language models like the ones behind OpenAI’s ChatGPT, they will essentially be handing over information and power to a technology firm to decide on critical future developments in their industries (Altman 2017). A narrative of inevitability about the “merge” serves Altman’s commercial interests, as does the tidal wave of AI hype now building on Elon Musk’s X, formerly known as Twitter.",
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      "text": "For the former to keep the latter from eliminating them outright. “A popular topic in Silicon Valley is talking about what year humans and machines will merge (or, if not, what year humans will get surpassed by rapidly improving AI or a genetically enhanced species),” he wrote. “Most guesses seem to be between 2025 and 2075.” This logic suggests a singularitarian mission to bring on some new stage of “human evolution” in conjunction with, or into, machines. Just as humans have used their intelligence to subdue or displace the vast majority of animals, on this view, machines will become more intelligent than humans and will act accordingly, unless we merge into them.",
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      "text": "The middle-aged novelist who narrates Hari Kunzru’s (2020) Red Pill wrestles with this spectre of transhumanism, and is ultimately driven mad by it. Suffering writer’s block, he travels from his home in Brooklyn to Berlin, for a months-long retreat. Lonely and unproductive at the converted mansion he’s staying at, he becomes both horrified and fascinated by a nihilistic drama called Blue Lives, which features brutal cops at least as vicious as the criminals they pursue. Its dialogue sprinkled with quotes from Joseph de Maistre and Emil Cioran, Blue Lives appears to the narrator as something both darker and deeper than the average police procedural. He gradually becomes obsessed with the show’s director, Anton.",
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      "text": "Anton is an alt-rightist, fully “red pilled,” in the jargon of transgressive conservatism. He also dabbles in sociobiological reflections on the intertwined destiny of humans and robots. The narrator relates how Anton described his views in a public speaking tour: [Anton] spoke about his ”program of self-optimization.” He worked out and took a lot of supplements, but when it came to bodies, he was platform-agnostic. Whatever the substrate, carbon-based or not, he thought the future belonged to those who could separate themselves out from the herd, intelligence-wise ... Everything important would be done by a small cognitive elite of humans and AIs, working together to self-optimize. If you weren’t part of that, even selling your organs wasn’t going to bring in much income, because by then it would be possible to grow clean organs from scratch. (207)",
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