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  "documentTitle": "The importance of being human in a digital world",
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      "text": "The subjectivating effect of surveillance, then, is instantly interlinked with basic rights and the meaning of being human.",
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      "text": "The scholarship on datafication, surveillance and digital transformation in the 2000s is infatuated with what can be called the demise of the material body. The speed of datafication and digital change lead to the idea that the surveillance society gives rise to disappearing bodies (Lyon 2001); the body is datafied and represented through data in a way that its materiality is obscured. Although such conceptualizations had been formerly discussed, especially by feminist and queer scholars, the liberatory nature of these feminist interpretations of cyborg bodies (Haraway 1985) and body assemblages were not transferred into these new understandings of datafied and surveilled body. In their influential essay on surveillant assemblages, Haggerty and Ericson compare the digital era with Rousseau’s proclamation, “man was born free, and he is everywhere in chains” by claiming that nowadays “humans are born free, and are immediately electronically monitored” (Haggerty and Ericson 2000, 611). The subjectivating effect of surveillance, then, is instantly interlinked with basic rights and the meaning of being human. The body, they argue, is positioned within this surveillance assemblage: it is “broken down into a series of discrete signifying flows” (Haggerty and Ericson 2000, 612). Contrary",
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      "text": "as algorithmic bias, were already warned about, and the ramifications of their discriminatory assumption for marginalized people were highlighted at the end of the 1980s (Gandy 1989). Similarly, the predictive character of aggregated data and the consequences of profiling were analysed (Marx 1989). From these early engagements, many instances of showing how routinely technologies are used to govern, datafy and surveil the body developed (see, e.g. Bennett et al. 2014). Additionally, surveillance scholars discussed how the “boundary between the body itself and information about that body” is increasingly transforming (Van der Ploeg 2012, 179). Building on this rich body of literature and personal experiences of immigration, exile and entrapment, this chapter revisits the body, being uncomfortable in/with/within it and yet being aware of its power to define if one is considered human enough to bear rights, feelings and existence. Similar to the chapter’s movement between boundaries of the material and virtual, the text also oscillates between academic thinking, autobiographical accounts, pictures and poesy; denoting the discomfort of being in a Code/Body.3 In this chapter, poetic language remedies the absence of the performative to help with the linguistic distress for finding the right words to describe embodied feelings.",
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      "text": "3 The combination of Code/Body is first used by Suneel Jethani (2020) in their paper on self-tracking and mediating the body. The paper uses the similar notion of Code/Body or coded body to represent the hybrid or networked body. However, my chapter’s theoretical perspective differentiates between Code/Body and coded body and furthers the concept of Code/Body beyond self-quantification. This text is inspired by my lecture-performance at PACT Zollverein Performing Arts Theatre in Essen, Germany in 2023.",
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      "text": "9.1 FROM DATA DOUBLES TO EMBODIMENT",
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